[Trans] Matsuda Ryo’s Blog Post about going to Taemin’s OFF-SICK concert in Kobe (posted on 171128)

 

LIVE。
November 28, 2017
テーマ:ブログ

こんばんは

そう言えば
先日久しぶりのLIVEに行って参りました。

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TAEMIN(テミン)という。
存じている方も勿論沢山いらっしゃると思います。
SHINeeというグループのメンバーTAEMINのソロライブ TAEMIN ‘OFF-SICK(on track)’ in JAPAN が
日本でそしてたまたま関西地方
神戸であったので
これは当たったら行こう!と事務所の方と楽しみにしてまして

したら当たった!
しかもとんでもない良席!

初めて行くには緊張しちゃう程でしたが
でもとても楽しみました✴︎
とても刺激的なLIVEでしたねー。
自分よりも年齢は少し下だと聞いて驚きが隠せませんでした。
自分にある才能に甘んじず、絶え間ない努力を重ねてるんだろうなと
まだまだ知らない自分でも
素直に尊敬してしまうようです。

それまでに美しく、格好良かったね。
また行きたいなー

LIVEとかに行くのも刺激的で良いですね^^
ハマってまいそうです。

Ryo…

LIVE。
11-28-17

Good Evening

That reminds me
I went to my first concert in a long while just recently.

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[He’s] called Taemin.
I think that there are many of you who know him.
Since a solo concert TAEMIN ‘OFF-SICK(on track)’ in JAPAN by Taemin, a member of a group called SHINee
Was going to be held in Japan, and coincidentally in Kansai region’s Kobe
I was looking forward to it with someone from my agency; [we were thinking] if we win [tickets], let’s go!

Then we won!
And what’s more, [we won] unbelievable seats!

For a concert I was going for the first time, it was enough to make me nervous but
I enjoyed it a lot✴︎
It was a very stimulating concert~.
I couldn’t hide my surprise when I heard that he was a few [years] younger than me.

Without becoming complacent (remaining content, settling for) with the talent he had, he must have put in unflagging efforts
Even as someone who still do not know him well
It seems I can’t help but genuinely respect/admire him.

Even for someone who still do not know him well, it seems that it makes me genuinely admire/respect him

He/It was beautiful and cool (awesome) to that extent
I want to go again~

Going to concerts is stimulating and nice~
I think I’m going to get hooked.

Ryo…

From Ruhe-f Matsuda Ryo Official Blog

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[Trans] Excerpt: Taemin mentioned in Takimoto Miori’s Blog (170926)

SHINeeのテミンさんとは初めてご一緒させていただきました。日本のドラマ初出演で英語も日本語もと、大変な中ライブも!凄いですよね。そのパワフルさに脱帽、尊敬です。

From 瀧本美織『入会!』(瀧本美織オフィシャルブログ「Miori Takimoto」)

“I had the privilege of working together for the first time with SHINee’s Taemin-san. Whilst [handling] a demanding [task of speaking] both Japanese and English in his first Japanese drama, he even [held] a concert! He’s amazing. Hat’s off to his powerfulness, I admire him. (He’s admirable)” – Takimoto Miori

[Trans | Lyrics] What’s This Feeling – Taemin

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What’s This Feeling
Final Life ~Even if you’re gone tomorrow~ Drama Ost
Lyrics: Junji Ishiwatari
Composed by: Andrew Choi – Coach – Sendo

[Buy the song on iTunes] [Melon]

Not a single thing , not a single person
I can’t believe anything anymore
I (*You) muttered with cold eyes
If it’s you, I can believe

This skewed world I’m seeing from an angle (Oh Oh Oh)
Ah Yeah Is like a perfect illusion even today (*like always) (Oh Oh Oh)

Even if I walk down an easy / smooth road
Before I realize I would stray away from it and fall

I can’t handle this (*uncontrollable)
What’s This Feeling?
I can’t escape this anymore
What’s This Feeling?
What’s This Feeling?
What’s This Feeling?

Where and how did only I make a mistake
Half in doubt
Living as though I’m going down an unfair twisted fate

Those awfully cool glass bead eyes (Oh Oh Oh)
Ah Year Seem as though they see right through all my emotions (Oh Oh Oh)

Even though I’m drawn to them I want to get away
My fragile heart gets torn apart

Nameless (*I can’t name it)
What’s This Feeling?
I can’t escape this anymore

If this is love, but if it isn’t love then what am I supposed to believe?
Whether I want to fight it back or be consumed, I don’t know anymore Who-Oh

Wow Wow Wow Wow

I can’t handle this (*uncontrollable)
What’s This Feeling?
I can’t escape this anymore
What’s This Feeling?
What’s This Feeling?
What’s This Feeling?

171102 Mnet M countdown – Taemin and Jonghyun

エムカ本番、テミンが始まる前にジョンが見に来た😂テミン終わってステージ降りた時にジョンに気づいて、わーって嬉しそうにハグしてずっと話してた😂💖見守るジョンヒョニヒョン🤢💖

171102 Mnet Mcountdown Live Recording:

During the Mcountdown live recording, Jjong came to watch before Taemin started his stage😂 After finishing his [performance] and getting off stage, [Taemin] noticed
Jjong;  he was like “Uwahh~” and hugged him happily then he kept chatting with him 😂💖 Jonghyunee-hyung who watched over [Taemin]🤢💖

エンディングでみんながステージ上がるのにずっとヒョンとお喋りしてて😂最後にちょこんってステージの端でまた誰かとお喋りしてたw
テミンペン代表はその間にそっとお帰りになった😂

During the ending they’re all [supposed to] get on stage but he kept chatting with his hyung😂 At the end he stood at the stage side unobtrusively(*) and was chatting with someone again w Taemin-fan representative left quietly during then 😂

[Trans] What drives SHINee’s Taemin to remain a “Genius of Hard Work” – Behind the Budokan stage where he showed his true worth | Model Press Interview [Part 1]

What drives SHINee’s Taemin to remain a “Genius of Hard Work” – Behind the Budokan stage where he showed his true worth | Model Press Interview [Part 1]

[Taemin / Model Press = November 1st] Taemin (24), a member of boy group • SHINee, who made his Japanese solo debut last July. Growing from a cute young boy into a matured man brimming with sex appeal, and continually captivating his fans with amazing performances, he is of course [acknowledged] for his innate talents but is at times called a “Genius of Hard Work.” About his Nippon Budokan solo stage in July which showed the true value of “artist Taemin” and deeply impressed audience. And also about his Japanese drama which most likely was a new surprise (discovery) for the fans. He talked about his reasons for deliberately choosing a “super busy” path at model press interview.

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From “TAEMIN THE 1st STAGE Nippon Budokan” (Photo: HAJIME KAMIIISAKA)

Taemin appeared to the interview room chatting with the staff(s). He was extremely busy having come to Japan from Korea after finishing filming a program that extended past midnight, but he greeted us with his [sweet] smile as usual.

― I heard that you arrived in Japan this morning.

Taemin: Yes. The variety program filming lasted until late [at night] so I organized my belongings right after getting home, then I got on the plane after sleeping for about an hour.

― Thank you so much for your time despite your busy [schedule].

Taemin: Not at all. I just arrived from Korea so I’m sorry if my Japanese is a little weird (off) (laughs).

I personally volunteered to “be busy this year”

― Then I will begin by asking about the Budokan [stage] in July first. It was a dense hour and a half that condensed Taemin(-san)’s world-view, I was deeply impressed.

Taemin: Thank you.

― I was told that you prepared within a very limited amount of time. What was your schedule specifically like during the months leading up to the concert?

Taemin: It really went by in a flash. SHINee activities, the drama shooting, and preparation for my Korean solo album…they all started together. I prepared while feeling the pressure of possibly not making it in time for Budokan, which was my first first solo stage. As expected, I do feel that I was a little short on time, but I feel relieved now after finishing it without any trouble.

― Didn’t you feel disarrayed with jobs in various genres starting all at once?

Taemin: I told the staffs this year that “I’m okay even if I’m really busy.” I think I’m currently in a [state] where I’m the most excited and have the most energy so I thought if it’s not now, physically, I won’t be able to do it [in the future].

― You’re still so young yet you already feel such a sense of urgency.

Taemin: I wanted to do what I can while I can. I thought that I wanted to try my best.

A stage that was completed by digging deep into “Taemin’s Identity”

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From “TAEMIN THE 1st STAGE Nippon Budokan” (Photo: HAJIME KAMIIISAKA)

― The show had 13 songs including the encore; the staging (production) was quite elaborate for each song. You also said during the MC that “I had a hard time choosing because there was so much I wanted to do,” what were your thoughts leading up to the day [of the concert]?

Taemin: First, even I wasn’t sure of how my color or image would turn out; so in a sense, as a way of introducing myself, I wanted to show a new (unprecedented) image as Taemin, a single individual, rather than as SHINee’s Taemin. When I thought that, there was so much I wanted to challenge. For example, for the song “I’m Crying,” the dancers are dancing and acting as if they’re in a musical; I tried to create a stage where even I, the person singing amidst all this can concentrate in its world-view. I also veiled my face with the outfit’s hood(ie) so [the audience] could better conceive the emotions in the song.

― You really put together (The stage was put together) really delicately.

Taemin: I didn’t want to do something ordinary. I wanted create things no one had ever challenged before, things people haven’t really seen before in my own way. I prepared with giving it a lot of thought[*].
[*] giving it a lot of thought: having a hard time deciding, mulling over choices

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At the venue, aroma installations were applied; they created the world-view (realm) giving attention to even the small details (Photo: HAJIME KAMIIISAKA)

― It takes heart to send out a new image to the world, you might have worries like “I wonder how people will respond?”

Taemin: You’re right. Of course I do think that you need courage but I’ve been doing this challenge of changing my hairstyle many times when promoting as SHINee in Korea so…(laughs).

― That’s where [you point to] (laughs). [*]
[*] As in “of all things you could have mentioned, you use changing your color as an example”

Taemin: So I think there’s a part of me that’s used to (changing my image) (laughs).

― That was an unexpected point [you brought up] (laughs). Despite having the choice to have fun together with the fans at close distance, the constitution this time was one with a story and coherence as one show. I believed that this too was a huge challenge.

Taemin: Right. Of course I thought that it was important for many people to sympathize (to connect with the audience) even more so because it was my first stage, but more than that, I fixated first on showing Taemin the person distinctly in a relatively short amount of time. I did think, “I wonder if it was better if there were more songs where [I] could connect [with the audience]”

― No, it was very beautiful. Singing “Itsuka Kokode” with the piano at the end, you finished [the show] leaving a lingering feeling (afterglow).

Taemin: That was also my idea.

― Purposely leaving out the MC, it was really beautiful how you ended in a way that stirred our imaginations. Do you have songs that you’re especially deeply attached to?

Taemin: “Itsuka Kokode” and “I’m Crying.” “DOOR” is also cool but the ballads that I sing while focusing on my own emotions are memorable (remains the most vivid in my memory).

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“Itsuka Kokode” he sang playing the piano (Photo: HAJIME KAMIIISAKA)

Singing while playing the piano was a huge challenge for me. I wasn’t very good at it actually. My skills on the piano is still lacking so I couldn’t focus on singing. How can I do it well during the concert…I prepared feeling really pressured, but I finished it without problems. It became a challenge that I succeeded in for me.

― That’s going to give you a lot of [self-]confidence.

Taemin: Yes. I think I’ll be able to sing a lot more [*] while playing the piano from now on! (laughs)
[*] more often

― Did you practice the piano until the last minute?

Taemin: Yes. Really, until the very last minute.

― That means the most nerve-wracking time was waiting for you for the climax.

Taemin: Right. Dancing and singing is something I can manage so long as I have energy but it doesn’t go that way with the piano.

― It requires a different skill.

Taemin: Since I have to pay attention to the small details.

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“DOOR” performance that took the audience’s breaths away (Photo: HAJIME KAMIIISAKA)

― For “DOOR” you were bound by ropes and bandages, it was a stimulating (exciting) stage.

Taemin: “DOOR” was also a challenge. I think the presentation of the choreography that Nakasone Rino-san made was wonderful. She guided me so that I could express to the detailed parts [of the choreography].

― How was the Budokan stage surrounded by the audience 360°?

Taemin: It really makes me lose track of where I am! At first, we put “North” and “South” labels but once the [song] starts I don’t have time to look at them (laughs)

― Was that something you didn’t expect during your preparation period?

Taemin: If I include [my activities] in Korea, it’s been about 10 years so I thought that if I tried the 360° stage, I would be able to do it right away (laughs). But when I actually [performed on the 360 stage] it was a bit difficult. There’s no reference so I would gradually but steadily go out of position (laughs). This was especially the case with “Sayonara Hitori.”

― It[*] also became a new asset for you on stage then. Choreographer Sugawara Koharu, whom you worked together for “Sayonara Hitori” “Flame of Love” and your newest release in Korea, “MOVE” said on her radio program that there was a period when you were feeling down struggling with the mental pressure/burden while preparing for Budokan. Did you talk to her about your problems?
[*] It: his experience in performing on a 360 stage

Taemin: Right. She’s really kind and she would notice right away when I’m troubled / fraught. It’s hard for me to constantly stay happy so at times I would become sad and feel stressed but when that happened, Koharu-san showed me videos of my favorite [artist] Michael Jackson[*] and cheered me up. Casual words like “Do your best” also gives me a lot of strength. She’s someone I respect, of course in regards to dancing but also as a person.
[*] It’s actually written “videos of Michael Jackson whom/that I like”

My motivation is “myself,” I want to come through every challenge[*] and grow
[*] all sorts of

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From “TAEMIN THE 1st STAGE Nippon Budokan” (Photo: HAJIME KAMIIISAKA)

― After [completing] this Budokan, do you have any goals for the future[*]?
[*] Goals: challenge, tasks

Taemin: So I could have more stamina to spare (reserve stamina)[*]; it would be nice to ease on dancing, and take the balance towards singing.
[*] Sorry I can’t come up with a good phrasing for this. He means that he doesn’t want to constantly be at his limit physically when performing. (I’m guessing it’s to give him more room to concentrate on other things so he isn’t as preoccupied on just pushing through a performance)

― If you were to give a score to this concert (Budokan)?

Taemin: Eh, is 100 points the full score?

― Please go with that!

Taemin:…Hmmm, it’s hard to give a score after all.

― Is it hard to express it in a number?

Taemin: It’s really difficult! It’s just that, it’s always the same after finishing a concert but I’m always left with more desire than happiness.

― Like, “I want to do more next time!”

Taemin: Yes, that’s right.

― Seeing your concert this time around, the fans were also saying, “Taemin is a genius of hard work”

Taemin: No no….

― It was a stage where we felt that strongly but where does your motivation (strength/drive) to constantly work hard in order to grow come from?

Taemin: Hmmm…. I think I’m influenced by various things. For example, like developing your emotions and imagination by watching movies and seeing sceneries is one of them but I think it’s important to build experience outside of practice. I’m someone who regards both as important (treasures both).

― So [it’s important to] balance your ‘on and off’ (work and personal life)?

Taemin: Yes. I don’t know exactly know why but when I take a short break from practicing dance and watch various videos, then practice again, there really are times when I improve even more.

― What’s your greatest motivation for you recently?

Taemin: Recently, myself. Really!

― You are your own motivation.

Taemin: Recently, I’m attempting various things in both Japan and Korea but I want overcome them and continue being “me” (someone) who grows even more. Should I say “myself” who’s grown more than myself from yesterday – a new “me”. It’s hard to put it in words…. Please help me! (and he seeks help from his manager)

Everyone: (laughs)

― It’s fine, we all understand you! In Taemin-san’s case, is there an aspect where you grow as you draw in (engulf / involve / swallow up) everyone else around you?

Taemin: I haven’t grown to that extent. When I see TVXQ-senpai, I understand exactly what that (“to engulf everyone”) means but I think I still have long way to go.

― I think it means… that people are struck seeing Taemin-san work hard, and are moved (to action)

Taemin: I think it will still take me a long time to be like senpai (TVXQ) but..I would like to continue to grow.

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From “TAEMIN THE 1st STAGE Nippon Budokan” (Photo: HAJIME KAMIIISAKA)

[Re-trans] 171029 D-cumentary : TAEMIN Ep.02 Quotes

171029 D-cumentary : TAEMIN Ep.02 Quotes

Q. Have you ever succeeded in your challenge / an endeavor.
Taemin: I received an interview just a while ago but when I’m asked “Have you ever failed?” I can’t think of an answer. But when I’m asked “have you ever succeeded?” How should I put this, I’ve only ever been able to achieve what I wanted to do only once. When I released my solo album[1]. Of course debuting…I was fortunate (happy) to debut as SHINee but the fact that the agency approached me first [about my solo] was a success for me. I guess it was my first success?
[1] the only time I was ever able to do something I wanted (wished for), was when I released my solo album.

Taemin: I also hear this sometimes. When I say that “I’ve never failed,” failure… I do say that I’ve never failed but I’ve really been going at it without rest. Really, since I was in 6th grade, I think I’ve been living my life diligently. I’ve never slacked off, rarely…
Since grade school, things like Chuseok and/or Christmas, I’ve never spent them [fully]; I would always go to the practice room and practice there alone…
Living this way is seen as being normal (alt jp trans: It feels normal that I’ve spent my days like this), how should I say this, even though I’ve been working so hard [until now], when others see me they would say, “Ah, it must be nice for him, he’s never failed before.” How should I say this, I was honestly irritated by these kinds of perspectives; when [they say], “I’m envious that you’ve never failed [before]”, it means that [all the] time that I invested until now will go in vain / is reduced to nothing.

Q. Don’t you feel like taking a break? (taking it easy?)
Taemin: I’m the type to push myself. I’m originally greedy…and I have a dream…I have a strong yearning to make [that dream] come true[2], so for that much I invest [time/effort] in it the best I can imagining myself [in the image of myself I dream for] but in life[3], you need a little luck, it’s difficult.
[2] realize that dream
[3] in life : literal – “in reality”

Around the time when I first made my debut, this tendency came out the wrong way. I would just keep pushing forward and forward almost to the point that I would drive myself crazy; I would feel restless even if I had one day without a schedule…I came to have that kind of mindset / mentality. I can’t rest when I should. Because I’d feel restless if I did. When I did [take a day off / rest] I was exercising and/or going to the practice room and practicing; I was doing something.

Japanese Translation by waha3104 and taemyu_lee

This has already been translated by various people but I translated it as a note to myself, to remember what he said^^

171020 J-WAVE Sugar Water: Sugawara Koharu about MOVE

171020 J-WAVE Sugar Water: Sugawara Koharu about MOVE [Twitter Post]
Transcription: @uepomme

The music video of Taemin’s new song “MOVE” was released. The one for Korea. It’s my 3rd time. Being in charge of a choreography [for Taemin’s release]. Of the three [music videos] that were released simultaneously, there is a version with Taemin and me; there’s also one where Taemin and I are dancing together. But every time, we don’t have time. Even though we didn’t have much time, I still really wanted to make it perfect (the best), and I really wanted to bring out a Taemin that was different from the previous two releases. I thought about it, and I thought that fans and everyone knew about Taemin who danced energetically, filled with energy so [I went for] something different; like Taemin’s androgynous sensuality (seductiveness), and/or making him appear somewhat feminine and mysterious even though he’s male (a man). Like [situated in] the middle? He’s dancing to “MOVE” coolly, but it doesn’t really matter if you’re a woman or a man. Because [the song] had such a cool melody, I was thinking about [how it would be] if Taemin [did it] that way. I wanted to bring out an even more matured, and in a good way – a sensuality (seductiveness) that was in between. I was making the choreography thinking about that kind of “MOVE.” So it’s really intricately detailed, and before, I would place meaning to each and every phrase of the lyrics but since [the song] was in Korean this time and I couldn’t understand a single phrase, I just thought about the melody and how Taemin should be. As I worked on the choreography thinking that maybe the fans who love Taemin will be able to see a different side of him, the choreography turned out this way.

I always end up dancing [to a choreography / in a way] that just releases everything to the outside, and that sort of thing, if anything is also Taemin’s specialty/forte, so I wanted [him] to do a dance that kept everything close to the body. I also wanted to do that. I wondered how it’d be to add that to Taemin’s dance repertoire. [The choreography] isn’t all that dynamic this time and I thought it would be interesting if everyone could have a close look at / watch intimately Taemin’s [body] line, the single line that he has as a person. We filmed it in Korea but Taemin was so busy so. How many times did we practice this? About two times. I really didn’t get much time to teach him the choreography[2]. I thought that he really is a hard worker [seeing his] his ability to take it onto himself despite not having much time. He practiced it a lot when he was over there, in Korea. I think during his tour. Taemin really hasn’t done [dances] with movements kept close to the [body] line so he said that he had a hard time putting out strength/power. He kept saying how difficult it was but he was doing it really well like I expected. It made me think, ‘so he can do it.[2]’

[1] The literal translation of “Furi-Utsushi” is “copying the choreography.” It refers to when the person learning the dance shadows the movements of the one teaching it to learn the choreography. (They show clips of this in Taemin’s FOL shooting sketch) I think “teaching the choreography” captures that to the degree but the original word in jp is a little more specific.
[2] So he can do it: He can do it after all, he can do it as I thought, see he can do it.

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@uepomme
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@uepomme